What Have We Here? Portraits of a Life - Billy Dee Williams Audiobook

Written by Billy Dee Williams
Read by Billy Dee Williams
Format: MP3
Bitrate: 64 Kbps
Unabridged

Publisher: Books on Tape
Release date: February 13, 2024
Duration: 11:40:59

A film legend recalls his remarkable life of nearly eight decades—a heralded actor who’s played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed.

Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier.

His first film role was in The Last Angry Man, the great Paul Muni’s final film. It was Muni who gave Billy the advice that sent him soaring as an actor, “You can play any character you want to play no matter who you are, no matter the way you look or the color of your skin.” And Williams writes, “I wanted to be anyone I wanted to be.”

He writes of landing the role of a lifetime: co-starring alongside James Caan in Brian’s Song, the made-for-television movie that was watched by an audience of more than fifty million people. Williams says it was “the kind of interracial love story America needed.”
And when, as the first Black character in the Star Wars universe, he became a true pop culture icon, playing Lando Calrissian in George Lucas’s The Empire Strikes Back

“Every one of performer Billy Dee Williams’s well-lived 86 years can be heard in this candid memoir. Williams’s somewhat tired vocal demeanor sharply contrasts with his cool and crisp delivery of the fascinating events of his life, beginning with his childhood appearance in a Broadway show. He has a tinge of a New York City accent. And–make no mistake–his frequent odd pauses make this a somewhat difficult listening experience. … His suave, ultra-cool style is apparent both in the text and in his performances at any age–including in this audiobook.”—AudioFile